导演吴炜伦接受采访时称，故事背景选择在2012年是因为那时那个行业还在运作，但已经开始有彷徨，“这种感觉同现在的香港有一点点相似。”
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「就在那一刻，我知道我已不再是義人，我知道我需要被拯救，」他說。
"[In] the 1960s [it] turned out, in hindsight, we had a near-endless schedule margin there," Isaacman said. "That is certainly not the case today. I'd say this is very, very close from a timeline perspective."